Reading, Race & Other People's Realities: Reactions to Michelle Obama Planting a Simple Food Garden
Monday, March 23, 2009 at 8:35AM Hope springs eternal with me, and my mood is good this morning.
Weekend media responses to Michelle Obama's breaking ground on the White House Kitchen Garden are a proliferation of articles on organic food, eating local, the controversial Alice Waters/Michael Pollan "food elite", and a rare blog reference like the one I posted yesterday from Obama Foodorama, regarding the 'meaning' of Michelle's gesture and the lack of coverage in the 'black' media and blogosphere.
This fact fascinates me, given the challenges of fast food and lack of access to healthy fruits and vegetables in urban and poor communities. The shootout in Oakland, where racial tensions are high, is a greater priority than Michelle's garden, based on my investigation of 'black' media and blogs.
Flexible as the Internet is, there's not room for both stories.
I woke up wanting to share the inspiring, timely and relevant look into "A Man Named Pearl", an enormous pleasure that I only enjoyed last night, thanks to my friend Robert calling to say "don't ask; just watch it."
Writing on Anne of Carversville, where video and more photos of Pearl Fryar's 'Love, Peace, & Goodwill Garden" live, I said:
The hour-long special addressed racial stereotypes about blacks not keeping up the neighborhood, the challenges of Fryar's roots as the son of a sharecropper and small-town Southern racial prejudice in general.
I nearly died when a busload of white ladies arrived at Fryar's magnificent topiary gardens, openly admiring his older guy, studmuffin physique. This clip was followed by Fryar's forever wife talking about lack of jealousy in her husband's now global celeb status.
In one hour, Pearl Fryar's 'Love, Peace, & Goodwill Garden" hit at least five major race relations nerves with grace, a clear-headed focus, and most often, Frayar's own unique words and vision on the subject.
The key word here is 'vision', because Pearl Fryar is a man obsessed with a vision for his garden, his own reputation and self-actualization as a man, his spirituality and his influence and contribution to his community.
Pearl Fryar wants to move America forward. Land is his canvas, and it's here that Fryar makes his topiary art.
Pull Up a Chair and Sit Down at the Kitchen Table
Surveying 'black' blogs and media this morning for my 'take' on garden reporting, I returned to The Kitchen Table, a blog written by two Princeton profs.
I bumped into The Kitchen Table two weeks ago, looking for reaction to Maureen Dowd's David Brooks 'sleevegate' commentary.
Commentary and opinion are the 'right' of every writer on the Internet. But the facts of what Maureen Dowd actually said, as referenced on The Kitchen Table, depressed me so much that I left a rare comment and challenge to the message conveyed to readers of the post.
Reading The Kitchen Table post was a "no, we can't" moment in my rose-colored glasses prism of life. I asked if the writers are actually Princeton professors?
Garden-post hunting this morning, I landed again on The Kitchen Table, this time to read Michelle Obama's Garden.
Melissa Harris-Lacewell articulates the 'nervous about plowing the land connection' that Obama Foodomarma hit on yesterday, in trying to understand why 'black' media didn't cover Michelle's ground-breaking event.
This week has been particularly fraught for me because I have been holding my breath about the new White House vegetable garden on the South Lawn. The anxiety started when I heard the first news report using the words "Michelle Obama" and "crops" in the same sentence. My first thought was" uh oh, is this going to turn into a story of my First Lady planting crops at the White House?" Are we going to have to endure thinly veiled and deragatory slavery references?
Reading these words, my own reaction -- based also on the Maureen Dowd post -- was 'give me a break; this is so depressing.'
To my credit, I read on, anticipating a vitriolic case for why black people can't work in gardens in America.
That is not the end of our story, I am happy to say.
We are not looking at a peace and love moment here in American race relations, just one baby step forward between the writer Melissa Harris-Lacewell and Anne.
My sensitivity is raised on just how deep these fissures are buried in our unconscious (and articulated) expectations of each other's behavior.
Melissa's post ended in a good place for both of us:
Last word goes to Melissa.
Peace out. Anne



















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